Juicy J), SmartPhones, Yes, No, Maybe, Y.A.S., Change Your Mind, What's Best For You, Love Around The World, I Know (Can't Get Back) and Mr. Ty Dolla $ign), All We Do, Foreign Remix (feat. The most popular songs from Trigga (Deluxe) are Cake, Foreign, Na Na, Touchin, Lovin (feat. What are the most popular songs from Trigga (Deluxe) ? Trigga (Deluxe) is composed by Trey Songz. Who is the music director of Trigga (Deluxe) ?
Trigga (Deluxe) is a english language album released in 2014.
FAQs for Trigga (Deluxe) When was Trigga (Deluxe) released ? Listen to all of Trigga (Deluxe) online on JioSaavn. The songs were composed by Trey Songz, a talented musician. There are a total of 17 songs in Trigga (Deluxe). And Intermission’s spite towards women is especially baffling considering they comprise the vast majority of his fandom.Trigga (Deluxe) is and English album released in 2014. Meninist flailing is for dudes struggling to overcome their terrible personalities, like Eminem. It’s a move as perplexing as it is disappointing. But it still doesn’t make the project’s overwhelming misogyny any easier to swallow, sexy as the sound may be. "I don’t judge her, don’t judge her/ But I could never love her/ ‘Cause I’m just an entertainer/ And soon she gon’ fuck another," he sings, a riff on Drake's guarded "Miss Me" verse and a flash of context for the surrounding callousness. The track borrows a feeling from Drake circa 2010 (a time when Drizzy needed Trey’s co-sign to get a leg up, strange as that may seem now), not just in mood and cadence, but in the same defensive paranoia, obsessed with the idea that women are attracted by his status and adjusting his expectations accordingly. "Boss", perhaps unwittingly, provides the EP’s only real moment of vulnerability.
"Good Girls vs Bad Girls" has Trigga reducing half the earth’s population to an Archie Comics trope, then wondering why he can’t seem to find meaning within this sad binary. "You got my time, girl, don’t you disrespect it," he huffs, barely concealing his impatience with his companion’s sexual ambivalence. "Don’t Play" starts seductively enough, with its spacious, Jeremih-esque atmospherics, but quickly devolves into negging on wax. Intermission feels like a conceptual homage to pick-up artist bible The Game. But the fantasy quickly fades: almost every song doubles down on the #meninist platitudes and reductive misogyny more than anything he’s released to date. The satiny synths, leisurely finger-snap percussion, and evocative bass rumbles, all providing a cushion for Trey’s velvety tenor, are the aural equivalent of scattered rose petals and lit candles. If you squint, Trey’s recent six-song Intermission EP, a stopgate to tide fans over until Trigga: Reloaded this summer, does what Trey does best: provide a no-skips-required sex playlist, or at least an escapist fantasy for zoning out at your desk. But Trey’s alpha-male anthems have always had a bit of a chauvinistic edge, and "Touchin, Lovin" succeeded in no small part because it allotted space for a strong female perspective as a counterpoint to the bro-y narcissism of a guy used to having his way. Trigga emphatically reaffirmed Trey’s hit-making pedigree: The album spawned a whopping six singles, best among them Nicki Minaj collaboration "Touchin, Lovin". Trey and production team The Featherstones dabbled in the surefire 2014 hit strategy, "interpolate a '90s classic" (in this case, Big and Kells’ "Fuck You Tonight"), but made sure to slyly note, "If we talkin’ bout sex, girl you know I invented that"-a reminder of his indelible stamp on millennial baby-making jams. Kelly’s torch-bearer and while he’s subtly evolved over the years, gracefully embracing hip-hop and R&B’s increasing cross-pollination, he hasn’t made too many pronounced stylistic shifts. He might lack the crossover appeal or critical darling status of, say, The-Dream or the Weeknd, but his singles discography is unimpeachable-not to mention, he can sing any of the aforementioned under the table. As his less firmly established peers have dipped their toes into the "alt-R&B" pool or flirted with EDM to stay relevant, Trey’s point of view has remained trendy but traditional, his generation’s best candidate for R.
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